Wednesday, 16 April 2014

Learning the different ways of tying a head scarf

http://youtu.be/TcRWFEzrzMQ
I learnt from this video which was really good in what I needed.
I've tried all of them in my own hair, some working better than others.
There was a few issues such as my hair being too short for some and my scarf being either to small or too big. 
I'll have to try them out on a longer haired person and see how it works on them. 

Tuesday, 25 March 2014

John Galliano Scarves

Floral and Newsprint Silk Scarf
 On the TK Maxx website, I've come across scarves designed by John Galliano that include a design method I'm fond of: layering text and images. My reaction to this style is how I could apply it to my focus of feminism. I could use old and new articles talking about the development of feminism with a layer of iconic images over the top. I could also include prints and designs of some of my samples, including scans of my knitting (creating a texture). This method could obscure and portray all my thoughts and research onto one piece, also representing the achievements women have made towards equality. I also want to show the stereotypes of women and what they are expected of, and also what is the 'ideal' women?


Female scarves tend to have a feminine style to it (typically flowers). I could keep to the feminine theme, so at first glance you would see something like a floral print but up close is something unexpected (like the newsprint that is disguised by the flowers).

I could use an already made scarf and decorate it like Orly Cogan, and add objects similar to Caren Garfen's designs. Or I could knit a scarf and embroidery designs.
Newspaper Print Silk Scarf














The shape of the scarf when it is put on a body obscures the design making it unclear. The design would make people search through the scarf to try and understand it.

This scarf includes a floral design like the other one, but includes elements of lace on top of the newsprint.

Monday, 24 March 2014

Preti Veja and Weaving

Veja is a textile artist who focuses on working with weaving and structure.


She uses structure to shape her weaves into different shapes and forms to represent something. 
I found this method inspiring, as I wanted to recreate the flower, curved shape of Marilyn Monroe's white dress from 'The Seven Year Itch'. For creating structure and shape like her work, I used wire as a base and then wool for the texture.

Weaving is a very traditional method that has been round for centuries to create fabric. Usually it would be the woman's job to create fabric by using a loom. Looms have developed over the years, and have now become powered machines (like the knitting machines).

Wednesday, 19 March 2014

The History of Knitting

From studying feminism, I was thinking about what type of traditional female textiles there is. Knitting  is a very feminine skill, which has been around since the 11th century. In most cultures, it was the woman's job to knit garments and blankets.

During the Industrial Revolution however, knitting devices were created and put in factories, where they would then hire women to work the machinery than to knit items at home. The city of Nottingham was known for creating machine-made lace in the revolution and the following decades. Leicestershire was known for having portable machines that can be hired for people the machine knit at home.

The mid nineteenth century saw the beginnings of knitting as a hobby. They began to make printed patterns aimed mostly at middle class women. Yarns started being produced specifically for the domestic market. So instead of knitting being part of an industry or commercial necessity, it became pleasurable and a useful pastime.

In the 1920s, knitwear became highly fashionable in the western world. Particularly sweaters/pullovers became a great part in the new fashions of the age for men, women and children, instead of the more practical garments associated with workers such as fishermen. Knitted neckties also became fashionable in the late teens and early 1920s. Soon later, knitwear was associated with sport and leisure such as tennis and cricket.

High fashion such as Coco Chanel and Vogue magazine were also interested in the knitwear craze.

The growth of interest in home/hobby knitting grew during the First World War. The Allied home front was encouraged to support the troops by knitting, as the conditions of trench warfare lead to a shortage of socks. Because home knitting soon became popular, especially for fashion, there was a high demand for companies to produce patterns, yarn and tools.

During World War II, the British wartime government department produced a booklet called 'Make Do and Mend' (published in 1943). This is because wool became very short in supply, and the booklet encouraged women to unpick old unwearable woollen items so they could reuse the wool. This is a big difference to the first war when it was extremely fashionable and affordable to make and own knitted garments, and then in the second war having to use old wool.

Knitting patterns were given out so that people could make clothing for the Army to wear in the winter, such as balaclavas and gloves. This effort gave a positive sense of contribution to the home front. This tells us that women played an important role in the war knitting, alongside their other jobs of working in the factories and farming.

1950s and 1960s, knitting again had a huge boost. This is because newer colours and yarns were introduced, with thousands of patterns for fashionable designs in bright colours. An knitted garment combo called the twinset became very popular for the home knitter: It was a short-sleeved top with a long-sleeved cardigan in the same colour to be worn together.

Girls were taught to knit in school as a useful hobby. This suggests some stereotypes of girls being better at textiles, and also suggesting the idea of knitting being a feminine skill.

1980s, knitting became unpopular as it was seen as old fashion and soon died out.

21st century, there has now been a revival of knitting. The growth of knitting started to grow alongside the growth of the internet and internet-based technologies, as well as the "Handmade Revolution".

Amanda Seyfried
Yarns have been developed better, as we are now using natural fibres from animals such as alpacas and exotic fibres such as silk. Designers have now begun to make patterns that work up quickly on large needles, known as instant-gratification knitting.

There has also been many female celebrities seen knitting which is believed to of helped popularise the skill. Some men have also been knitting, suggesting that the feminine stereotypes have died down a little.

Thanks to the internet growing, it allows knitters to connect, share interests and learn from each other from all over the world.

Patterns from both books and online sources have influenced groups that are centred on knitting a specific pattern. Because of knitting blogs, traditional designs and techniques that have been kept secret by a small number of hand knitters now have a much larger audience.

Yarn Bombing, a type of contemporary graffiti art has spread worldwide, decorating statues and fences.

14th January, 2006, knit-blogger Stephanie Pearl-McPhee challenged knitters worldwide to participate in the 2006 Knitting Olympics. Their task was to do a challenging project starting at the opening ceremonies of the 2006 Wither Olympics, and have the project done by the time the Olympic flame was extinguished 16 days later. Around 4,00 people took part in this event.

From researching on the history of knitting and how it has developed so  much in the 20th and 21st century, I am able to see how knitting became popular during the war for the women at home to how knitting was died out as it was seen as an old fashioned skill, to becoming a worldwide community with both genders taking part. From my experience however, I still believe that knitting is seen as a feminine skill (as well as other textile craft) even though there are men who knit.

Freddie Robins, who I have previously looked at, uses knitting in an unusual way by creating misshapen garments and sculptures to represent an issue or idea. Robins is very passionate when it comes to feminism, and it tends to reflect in many pieces of her work.
Robins and Alice Angus (textile artist) were asked to create a response to 1950s photographs by John French (1907-1966). Robins response to this was creating a woollen ghost figure hidden in a cupboard, as she wanted to reflect how women were still rationing materials:


'He's Behind You',
2011,
machine knitted yarn,
metal coat hanger, found wardrobe
“The stereotypical image of the fifties is of a modern, clean world where glamorous women flit around homes filled with contemporary, colourful design by the likes of Lucienne Day. The truth for most women was quite different. The shadow of the war still loomed, rationing for textiles and clothing hadn’t ended until 1949”