We started off with drawing around the shadows of the plants, getting the outlines and basic shapes. My favourite plant to draw from was the thistles, as they had a very complex and interesting shape: they look as though they are wilting, and also they have a very different appearance compared to the other plants I used.
Kaleidoscope -Furnishing Fabric- Mary Harper Edinburgh Weavers 1960 |
However, I did come across some interesting shapes, such as the pink flower: by holding it in different angles I was able to create a new flower. I also overlapped some of the studies which I thought gave a good effect as it started to look like a possible floral print. I could maybe use that section to create a
'Pevensy' - Liberty &Co - Furnishing Fabric 1910 |
I then started to fill in the negative space with pen. I first did one where I drew out the outlines of the plant and then started to fill the space in. This way worked well, however I then started to just fill the negative space with out an outline. By doing this, I was able to get a better effect of negative space as there wasn't an outline for me to follow so the petals of the daisies seemed more natural.
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